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1.
In the lowland towns Where people like to paint their food Be patient while you starve To rush the painter would be rude But when you cut the canvas For a pair of trousers And you use the oils To paint the walls of houses It’s not always the best way just because it’s shorter Throwing out the baby with the bathwater You claim no subjects left It’s your imagination’s fault Here comes the prince of poets With an ode to table salt But you must remind us One day we’ll all be dead You think a skull beside a book Says all that need be said It’s not always the best way just because it’s shorter Throwing out the baby with the bathwater Your neatly ordered land That seems the size of a postage stamp It makes them envious They say I’d like a piece of that Aping your achievements At the cost of thousands killed Denies the humane principles In everything you build Why are they resorting to this mindless slaughter Throwing out the baby with the bathwater
2.
People and places These are what we do not see much now Where have you been this month Well I’ve been walking up and down I’ve found a helpline Claims that it can offer guidance For all the lonely souls Unhappy in their hideouts There is a service That replaces human company You can be everything to others That you’d like to be People and places These are concepts from another time Crowds in the galleries And hours spent standing in a line But if the simulation is As real as it’s claimed to be Why would we ever want to Go back to reality It profits nobody To change the world that we have found Not while technology Is moving on in leaps and bounds People and places These are what we do not see much now People and places These are what we do not see much now
3.
Sleeptalking 05:18
There’s no one up there physics tells us There’s no one out there statistics say These are childish misconceptions Adults learn to put away But we don’t buy your cold hard science These ideas still have their place What if an alien civilization Were founders of the human race? I believe in sleeptalking There are things you can’t explain The power of visions and of revelations The key is in the human brain I believe in sleeptalking Like a hidden message in the record groove Our minds hold secrets of creation And reveal them when the body cannot move What’s the song about asks the critic What’s the meaning behind the dance These words and movements come from dreaming We recreate them in a trance The ruling minds say mystic garbage Only trust what they can see But we’re sleepwalking towards extinction By only thinking rationally
4.
Long office hours They were bad news for my shape Swift corruption from Working for the media Order more fast food Before the scandal can escape Help the public Learn to get even greedier Undermining Bill Clinton Was our butter and our bread We would have liked him more If we had known what lay ahead We would have felt less guilt About the burgers and the beers How we miss the fat years Everyone believes They’re living through an age of decline Everything went downhill Since they invented the horse and cart Say the youth of today Know nothing at all But no one can recall A time when they were smart Undermining Boris Yeltsin Was our butter and our bread We would have liked him more If we had known what lay ahead We would have felt less guilt About the vodkas and the beers How we miss the fat years  
5.
When the tune sleuths had tracked you down To the night when you’d heard all you wanted From now on there are no words without songs And no music you can’t sing along to A slave to chords and the tyrant of rhyme Simple couplets marching in common time In a dingy basement this is where they come to meet And they call themselves the underground elite Their reputations couldn’t get any worse They take the secret of success and use it in reverse They make brows rise or sink down low If there’s a trick here then we’ll let you know They tread the same streets, live the same days But see them bathed in a roseate haze Even floosies take on this aura Take these two here call them Beatrice and Laura Honest citizens conspire to keep them sane They’re leaving on some mystic journey once again In a dingy basement this is where they come to meet And so they call themselves the underground elite While the management convenes on the top floor No one suspects what retribution lies in store A revolution brewing far beneath their feet Down in the basement of the underground elite
6.
He could take the big wheels And be there in a moment He could get there on his floating bike Could be back to join us Seconds before he left us In the way the watchdogs do not like He needs no magic Just the trance that comes from training And the fervour burns inside his bones And in his face And this tablet’s made of stone It has no tricks to offer He will be the modern primitive Last runner in the race He could press the buttons To set the forklifts moving He could mobilize the country’s fleet But he only takes the things That his two hands can carry Only travels places with his feet He needs no magic Just the trance that comes from training And the fervour burns inside his bones And in his face And this tablet’s made of stone It has no tricks to offer He will be the modern primitive Last runner in the race Only pen and paper There is nothing he can conjure Surrounds himself with cemeteries of print Doesn’t hold with progress And he will not have an upgrade Not for all the money in the mint Doesn’t have to thank a bunch Of such amazing people He has everything he needs All in one place With a tablet made of stone That offers only silence He will be the modern primitive Last runner in the race
7.
From a drawer of rotting apples Or contortions of the damned To jolt us from the commonplace world We take inspiration where we can The writhing of the sinners’ bodies Their cries of never-ending pain Suburban life being0 short on subjects Turn to them time and again You enjoy the view Down at the bottom of the well You see the ravens overhead Call them a murder Over time you’ve learned to be A tourist down in hell How to take suffering so far But never further Only takes a little oiling To start th’ infernal chariot The chance you might not be returning Adds thrills to sinking down into the pit Folks back at home will not believe you But they’re glad to sing your songs Plagiarize the howls of demons Your art’s beyond all rights and wrongs You enjoy the view Down at the bottom of the well You see the ravens overhead Call them a murder Over time you’ve learned to be A tourist down in hell How to take suffering so far But never further

credits

released February 18, 2022

“Sleeptalking”

1. Baby with the Bathwater
Simon Patterson - voice
Andy Goo - background vocals
Julia Gauchenova - background vocals
Nikolay Ordanovsky - tenor saxophone
Pavel Borisov- bass guitars
Bichan - synth bass, guitars, eBow guitar, synthesizers, keyboards, drum programming, background vocals

2. People and Places
Simon Patterson - voice
Andy Goo - background vocals
Julia Gauchenova - background vocals
Nikolay Ordanovsky - flute, coughing voice
Pavel Borisov - bass guitar
Bichan - synthesizers, keyboards, drum programming, background vocals

3. Sleeptalking
Simon Patterson - voice
Andy Goo - background vocals
Pavel Borisov - bass guitar
Bichan - synth bass, guitars, synthesizers, keyboards, drum programming

4. The Fat Years
Simon Patterson - voice
Pavel Borisov - bass guitar
Bichan - piano, acoustic guitars, synth bass, synthesizers, keyboards, drum programming

5. The Underground Elite
Simon Patterson - voice, piano
Bichan - bass guitar, synth bass, guitars, eBow guitar, synthesizers, keyboards, drum programming

6. Last Runner in the Race
Simon Patterson - voice
Nikolay Ordanovsky - tenor saxophone
Bichan - bass guitar, synth bass, guitars, baritone guitar, eBow guitar, synthesizers, keyboards, drum programming

7. A Tourist in Hell
Simon Patterson - voice, piano
Bichan - synth bass, guitars, baritone guitar, eBow guitar, synthesizers, drum programming

Arranged, mixed and produced by Bichan

Mastered by Andrew Oliyanchuk

Cover photograph by Vera Serebryakova

Cover design by Vava Melnik

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Simon Patterson and the Bichan Orchestra Auckland, New Zealand

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